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Hermitage Collections in the 19th Century
The Emperor's Hermitage - One of the First Museums
of Europe
Alexander II followed the guide lines, that directed the policy
of his highly esteemed father regarding the Hermitage, and was concerned
about an absolute order in the Museum. Though he regarded the Museum one
of the departmental subdivisions of the palace, he did not see to it personally.
All the affairs were entrusted to the new director of the Hermitage Sergei
Gedeonov. In 1861 the Hermitage got a significant replenishment of the
department of antiquities after purchasing in Italy the collection of
marquis Campana, an amateur archaeologist. Gedeonov selected from this
collection the most interesting Etruscan monuments, Italic and Attic vases
(the famous "Queen of Vases" among them), bronzes, antique sculptural
portraits, statues of nine muses, marble relief with the scene depicting
the death of Niobids, traced back to the studio of Phidias. Together with
the antiquities the Hermitage also acquired frescos by Raphael, that originally
decorated "villa Spada" on the Palatin hill. In 1865 the Museum purchased
a masterpiece of the world significance - "Madonna with Child" by Leonardo
da Vinci - from the gallery of the Litta family in Milan. In 1870 another
"Madonna with Child" by Raphael arrived to Saint Petersburg from Florence
where it was purchased from Count Conestabile. The painting was in the
posession of Maria Alexandrovna. In 1880 together with the "John the Theologian"
by Domenicino it was bequeathed by the owner to the Hermitage. Both acquisitions
got a ready response in Russia and abroad.
During the reign of Alexander III the Hermitage led an independent existence.
The Emperor with enthusiasm replenished his private collection in the
Anichkov Palace, that he started when he was still the heir on the throne.
This collection enriched the Hermitage with the "Head of Cupid" by Greuze
, "Pond in the Harem" by Gerome. The Emperor's Museum at the same time
had not enogh money to purchase works of art, as the new director of the
Hermitage Alexander Vasilchikov put it in his report to the minister of
the court. The only acquisition abroad before the revolution was the fresco
by Fra Beato Angelico "Madonna and Child with St.Dominic and Thomas Aquinas"
purchased in 1885. But the initiative and resourcefulness of Prince Alexander
Vasilchikov helped him find the ways to enlarge the Hermitage collections.
From the Monplaisir Palace in Peterhof he rescued 22 canvases of the Dutch
masters that suffered there from dampness. One of them was the "David
and Jonathan" by Rembrandt. From the palace in Gatchina he returned among
the others the canvas by Tiepolo "Maecenas in front of Augustus" and two
pictures by Boucher "The Pastorale" and "The Landscape". It was the time
of increased interest in applied arts when objects from the palace interiors
acquired in the eyes of experts high artistic value. In the newly created
royal stables museum carriages and gobelins were kept for display, and
on the second floor of the Winter Palace an exhibition of porcelain and
silver from the funds of the Palace was organised.
In the spring of 1885 an event of extreme significance for the history
of the Museum took place in Paris. The collection of the Russian diplomat
Basilevsky was bought there for the Emperor's Hermitage in Saint Petrsburg
on the eve of the auction of this collection that antiquaries and connoisseurs
of art in Paris were looking forward to. The budget of the Museum that
amounted to 5 thousand roubles annually did not allow to buy this expensive
collection. Emperor Alexander III, who saw this collection in Paris when
he was there as an heir, bought it for his own money. The Hermitage got
wonderful metal articles of the 11-16 centuries, including Limoges enamels,
carved bone of the 9-11th centuries, furniture of the Middle Ages and
the Renaissance, carved wood, tapestries, fabrics and embroidered articles,
Spanish-Moorish faiences, Italian majolicas, Venetian glass. This acquisition
allowed to open a new department in the Museum that was also enlarged
with the collection of armour and weapons from the Armoury in the Tsars
Village and some valuable objects of applied arts of the 18th century
from the Golitsyn Museum in Moscow. From the latter collection the Hermitage
also got the "Triptych" by Perugino and "Announciation" by Cima da Canegliano,
sculptural portraits of Emperor Antoninus Pius and Caracalla, "Sapho"
and an unknown philosopher, antique vases, bronzes, books with engravings
and manuscripts.
In 1884 the Russian envoy in Greece Saburov transferred to the Hermitage
233 terracotta statuettes bought in 1870-s during the plunder in search
of buried treasures in the necropolis of the ancient Tanagra (Boeotia).
Nicholas II showed absolute indifference to the Hermitage Museum and purchased
paintings for the decoration of private rooms. He preferred works of the
artists of the Salon. However in the late 19th century the Museum became
so popular in Russia and Europe that Russian patrons of art considered
it an honour to offer their treasures to it as a gift. In 1911-1912 some
paintings of the Italian artists were bequeathed to the Museum by the
Stroganovs family, the Reliquary by Fra Angelico "Madonna" by Simone Martini
and masterpieces of Sassanian silver among them. The same year the Hermitage
received a gallery of beautiful English portraits of the 18th century
bequeathed by Alexander Khitrovo. The senior curator of the picture gallery
Eduard Liphart managed to induce the owners of some pictures significant
for the Museum to bring them as a gift. Thus the Hermitage acquired "The
Rape of the Sabine Women" by Tiepolo (the collection of Campanari), "Apostles
Peter and Paul" by El Greco (the collection of Durnovo). A well-known
ethnologist Semenov-Tien-Shansky offered the Museum his collection of
700 canvases of the Dutch and Flemish artists. It was left in the possession
of the owner for life but after his death purchased by the Hermitage for
the sum of money twice as small as Western firms offered for it to the
scientist. In 1914 " Benois Madonna", attributed by Liphart to Leonardo
da Vinci, arrived to the Hermitage. During the reign of Nicholas II the
Russian Museum of Emperor Alexander III opened in Saint Petersburg, where
the paintings of the Russian artists from the Hermitage came in. The rooms
of Russian art were closed.
The tradition of collecting works of art, started during the reign of
Catherine the Great, became the state policy of her grandchildren and
great-grandchildren. Her "Solitary little place" turned into a wonderful
public museum, one of the best in Europe.
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The Madonna and Child
(The Litta Madonna)
Leonardo da Vinci
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The Virgin and Child
(The Madonna Conestabile)
Raphael
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The Madonna and Child
(The Benois Madonna)
Leonardo da Vinci
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The Annunciation
Cima da Conegliano
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A Woman in Blue
Gainsborough, Thomas
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Sts Peter and Paul
Greco, El
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Leaf of the Consular Diptych of Areobindus
Byzantium, Constantinople
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